The Tillers’ New Self-Titled Studio Album Is Out Now
The Tillers’ New Self-Titled Studio Album Is Out Now On Vinyl, Cd, Digital & Streaming Formats Via Sofaburn Records
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The Tillers have been thumping their own distinctive sound of string band style folk music for a decade, riding it all over the country and across the sea. Four studio albums and one live record have won them praise as modern folk storytellers of the national soundscape.
Mid-2017, The Tillers holed up at Candyland Recording Studio in Dayton, KY with producer Mike Montgomery (Jeremy Pinnell, The Breeders) and tracked ten new songs, live to 2” tape. The recordings showcase the diversity of their writing and musicianship, from hard-tackle thump to tender graceful melody – lightening-fast banjo to intricate guitar flat picking, plaintive fiddle, deep anchoring bass and clear tenor harmonies.
Fueled by life, family, history, travel and politics, the new self-titled LP is the band’s most engaging record to date. Singer-songwriter-guitarist Sean Geil says of the new record, “This album is definitely more aggressive than past efforts. At our core we are still a traditionally rooted string band, but I’d say our punk rock roots are more visible on this album. And the addition of Joe Macheret on fiddle has added a new dynamic and allowed us to explore new territories as well as fill out the overall sound.”
Out of the 10 compositions, nine are self-penned by the band. The one cover is a rousing version of the Woody Guthrie song “All You Fascists Are Bound To Lose,” where singer-songwriter-banjo player Mike Oberst even wrote the following two additional verses to reflect these tumultuous times, “Here comes a big machine surrounding all your hate, force it to surrender now let’s get this straight, you’re bound to lose…” and “Race hatred cannot break us, better learn it quick, our children won’t be sold your poison rhetoric, you’re bound to lose!”
“Every song here is a story,” Geil says. “Some tell of our own personal experiences, while others are more topical, paying tribute to where we’re from or reflections on the state of our society.”
“Cincinnati-based Americana outfit The Tillers’ self-titled album tells folk-inspired stories through traditional string band instrumentation. The band uses roots music traditions to share a heartfelt plea for folks to be better stewards of the land.” – WIDE OPEN COUNTRY
“The Tillers’ new track ’Revolution Row’ is a fiery, socially conscious bluegrass- folk tune that looks for hope in troubled times” – NO DEPRESSION
“The most tangible result from The Tillers’ diligent road ethic shows up on the new album as a fierce intensity, as well as a casual proficiency that has elevated every aspect of the musicians’ presentation. Their sharp songwriting has been honed to an even finer edge, their instrumental skills have matured and evolved and the chemistry between members has become richer and more complex with the addition of Macheret’s talents and the subsequent re-bonding that has taken place within the newly configured quartet.” – CITY BEAT
“With five albums, extensive touring at home and abroad, and accolades to their credit, The Tillers are no late-comers to the scene and that is perfectly evident in their latest (and arguably most powerful to date) release. The Cincinnati-based band are a prime example of the real deal, a group of musicians utterly committed to their genre, earning their pedigree the honest way by actually living it.” – CHATTANOOGA PULSE